Caroline Sharp | Profile
I have an established career as a Landscape Architect and Artist working throughout the UK. I first started exhibiting my artwork in 2001. My work is both 2D and 3D; uses natural materials and is strongly influenced by natural form, containment and movement. Materials used include: stone, clay, chalk, willow, poplar, birch, hazel, and dogwood stems, leaves and wood.
Installation; Mixed Media; Sculptor; Tutor; Gallery; Commissions undertaken; Available by appointment all year
Gallery: Caroline Sharp Images
More Information About Caroline
I undertake residencies and commissions for site-specific installations in which the importance of form and context are paramount. Recent such commissions have included an installation at the entrance to the North Hykeham Theatre in Lincoln; two installations along the Wessex Ridgeway; “Union” an installation within a young woodland; “Fallen Apples” an installation within a community orchard as part of the Creative Footsteps Project along the Wessex Ridgeway; an installation created specifically for the frontage of the new Crafts Study Centre building at the Surrey Arts Institute and “Shoot/Wave” an installation at Dorset County Hospital as part of the Arts in Hospital Programme.
Recent gallery exhibitions have included the Urban Field exhibition at Contemporary Applied Arts in London; the touring Met Office exhibition “Elemental Insight”; and I am working towards 3 selected solo exhibitions during 2009. The work within these exhibitions reflect a continuing need to connect to the earth and the natural world. Issues of sustainability, the fragility of permanence to impermanence and our own mortality are increasingly important influences in my work.
Recent Notes: Caroline Sharp
Caroline Sharp Willow Workshops [Published: 25-03-2010]
I run workshops ocassionally, teaching people how to make sculptures using willow. Details and dates will be posted on this website as they are organised. Meanwhile please visit my own website www.carolinesharp.co.uk... read more

